"Fue la peor experiencia de toda mi vida", dijo Matt Sweeney frontman de Chavez en una entrevista en 1996 con MAGNET sobre el proceso de grabación después Ride The Fader. Las sesiones para el segundo álbum de la banda fueron tensas por cuestiones de proximidad (el bajista Scott Marshall era a menudo no disponible, debido a su carrera como director y actor), pero más profundamente a través de sesiones largas y poco gratificantes con el productor Bryce Goggin. Aunque dos de los tracks de Goggin terminaran en el álbum, la mayor parte de Fader surgió de un período de 10 días con John Agnello. El resultado fue un álbum de ardiente y desarticulado, destinado a premiar a los hombres de Chávez con la fama que había abogado la prensa independiente para ellos. Por desgracia, no fue así. Los tours breves de la banda fueron un drenaje fiscal y psicológico, lo que llevó a la conclusión de que no valía la pena continuar.
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“It was the worst experience of my entire life,” said Chavez frontman Matt Sweeney in a 1996 interview with MAGNET about the recording process behind Ride The Fader. The sessions for the band’s second album were strained by proximity issues (bassist Scott Marshall was often unavailable, due to his other career as a director/actor), but more profoundly by lengthy and unrewarding sessions with producer Bryce Goggin. Though two of Goggin’s tracks wound up on the album, the bulk of Fader emerged from a 10-day stint with John Agnello. The result was a fiery and disjointed album, destined to reward the men of Chavez with the fame the indie press had advocated for them. Alas, it wasn’t to be. The band’s brief tours were fiscally and psychologically draining, leading to the conclusion that Chavez just wasn’t worth continuing.
Catching Up: Fader and 1995’s Gone Glimmering were repackaged together by Matador in 2006 as Better Days Will Haunt You, and Chavez has played live as recently as three years ago. Sweeney has collaborated with Neil Diamond, Dave Grohl, Billy Corgan, Will Oldham, Cat Power and others; Marshall, despite directing 2007 Jessica Simpson bomb Blonde Ambition, still works in Hollywood; guitarist Clay Tarver co-wrote 2001 film Joy Ride; and drummer James Lo has played with Baby Dee.
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